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Luther: The Fallen Sun (dir. Jamie Payne, 2023) — Review

“Comparable to Sherlock in its magical-realist depiction of the criminal justice system, Luther posed a stark and insanely camp contrast to contemporary drama on either side of the Atlantic, particularly its stars’ meatier turns in The Wire and The Affair. And now, like a weird, creepy middle school ex popping up at your workplace, it is back.”

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The Fabelmans (dir. Steven Spielberg, 2022) — Review

“It’s a tale as old as time, spun by many a Midwestern dad over the grill: middle-class American kid gets the movie bug, entangling their hopes and dreams with all sort of artistic aspirations that ultimately have to contend with adult life. In the case of The Fabelmans, though, that kid is Steven Spielberg, and we all know the story will end rather differently.”

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M3GAN (dir. Gerard Johnstone, 2022) — Review

“The ChatGPT furore has shown that we’re awfully keen to outsource those boring, thankless tasks formerly considered ‘gainful employment’ to AI: schoolwork, LinkedIn posts, marketing copy. In M3GAN, populist horror mogul James Wan dares to dream of a solution to the most boring and thankless task of all — parenting.”

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